The film is about the evolution and changing face of microfinance in India. Its about women whose lives have been transformed, about their need for self confidence and expressions, about their need to lead and to give a better life

The 'Musalman' is probably the last handwritten newspaper in the world. It has been published and read every day in South India's Chennai since 1927 in almost the same form. In the shadow of the Wallajah Mosque in Chennai, a team of six die hard workers still put out this hand-penned paper. But the story we tell here is not just of their desperation and despair. The factis, at the office of 'The Musalman', the oldest Urdu daily in India, no one has ever quit. They work till they pass on. This is the story we tell

The title, specially packaged for AIFS II captures the warmth of the friendship shared by 2 billion people across too many countries of Africa and India. The movie reflects on the economic, social and cultural dynamics of this partnership and brings out many levels of interaction between these countries - starting from diplomatic and political engagements to student-level interactions

Why Can't I is an attempt to create awareness and motivate people at the grass root level to give a serious thought to the importance to the education of young girls. The film, keeping in view the ethos of our society endorses the sentiments of Gandhi, Nanak, and Vivekananda - i.e. service to humanity without attaching a commercial value to it. We pay tribute to those real heroes, girls and women, who have made a differnce by questioning the norms of the society and doing things that changed not only their own lives for the better but also had a positive impact on precious lives around them

'Bandhan' is about a typical North Indian wedding in all its grandeur. Through an enactment of a marriage, the film shows how an Indian arranged marriage happens-from finding the groom to the wedding. The film beautifully captures all the vibrant ceremonies which form the crucial part of an Indian wedding

Living Stories is an exploration of the Storytelling traditions of India, woven with the words of authors, philosophers and storytellers from around the globe. From the powerful rendition of Pandavani to the animated hues of Yakshagana, from the Mystic Baul singer to the wandering bard or the Kavad, from the intricacies of a Kathakali performance to the delicate strokes of the Kalamkari, the film showcases an essential truth about India - That the continuity of traditions is just as remarkable as its antiquity

The documentary delves into four e-governance initiatives: E-Chaupal, E-Education: E-Health: Telemedicine and UIDAI (UNIQUE IDENTIFICATION AUTHORITY OF INDIA) to showcase India's Natonal e-Governance Plan that seeks to lay the foundation and provide the impetus for long-term growth of e-Governance within the country and to create a citizen-centric and business-centric environment for governance

This film based on Tajjali, an Indo-Iranian Sufi Music Concert in India

Lakhan Singh aka Lucky (Sonu Sood) is the 'kinng' of the Australian underworld accompanied by his associates. Far away, in a small village in Punjab, where Lucky was born, there exists someone more notorious than him - Happy Singh (Akshay Kumar)...

Colours brought to life the tale of the doomed love affair between the Mughal Crown Prince Salim and the beautiful, ill-fated court dancer, Anarkali. A love whose fervor and intensity perpetrates a war between the prince and his father, the great Mughal Emperor Akbar, and threatens to bring an empire to its knees