Food, Inc. is guaranteed to shake up our perceptions of what we eat. This powerful documentary deconstructing the corporate food industry in America was hailed by Entertainment Weekly as “more than a terrific movie—it’s an important movie.” Aided by expert commentators such as Michael Pollan and Eric Schlosser, the film poses questions such as: Where has my food come from, and who has processed it? What are the giant agribusinesses and what stake do they have in maintaining the status quo of food production and consumption? How can I feed my family healthy foods affordably?

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Present brief biographies of more than fifty women athlets from the twentieth century, including Ora Washington, Althea Gibson...

It is a codification of the general and permanent rules published in Federal

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One of the greatest science fiction novels ever published, Stranger in a Strange Land's original manuscript had 50,000 words cut. Now they have been reinstated for this special 30th anniversary trade edition. A Mars-born earthling arrives on this planet for the first time as an adult, and the sensation he creates teaches Earth some unforgettable lessons

The most comprehensive work on African American inventors to date, this book provides information on patent holders in all fields from colonial to modern times

Kang Woo-suk has consistently performed the background role of a man of power in Korean film for the last ten years. He has made only 16 films since his debut as a director in 1988, but for the more than ten years since 1997 he has been in charge of investment, planning or production for no fewer than 120 films. In spite of this, Kang’s name remains an unfamiliar one to the overseas film world. But his films have succeeded in capturing the rapidly changing Korean social and political situation of the last 20 years in a distinctive style; to be specific, a style of popular speech through satire and humor. Looking at Kang’s films in sequence, one can grasp the twists and turns of the history of Korean capitalism. This book is a record of Kang’s cinematic career over the past 20 years, and at the same time a document that demonstrates how Korean cinema possesses a fountain of diverse films and how considerable the potential commercial film is.