The book presents information about korean customs and traditions

Keeping the Best shows that in the coming decades the most important capital will be human capital - and that the companies that will rise to the top in their industries will be the ones that make the management and strategic priority of management and motivation of employees the number one strategic priority of manager ar all levels of their organizations.

Diamond Sutra Recitation Group. n.d. The booklet is an engaging and well-written account of King Sejong’s achievements, especially the coverage on the invention of han’gul.

Eighth edition. Has the most detailed and extensive Outdoors chapter on the market, covering the best and most interesting, inspiring outdoor possibilities available, plus the best tours, organizations, and lessons.

In this book foreign relations - Korea (South) and (North), politics and government. Since the collapse of the Soviet Union, Pyongyangology has replaced Kremlinology as the favored sport of Communist-watchers. It

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This book introduces five new directors who have made works realizing the meaning of an independent film environment that has become diversified amid the struggles of the Korean film industry as it has attempted to progress toward a high degree of industrialization since the 2000s. NOH Dong-seok, KIM Dong-hyun, MIN Boung-hun, KIM Tai-sik, and CHO Chang-ho are noteworthy newcomers whose works, each made in different environments, show plenty of potential. These directors have very different backgrounds and personal histories, and bring about meaningful meetings with the audience armed with their own unique visions. [...] The value of independent films does not lie solely in the aspects of system and market. The foremost reason independent film must stay robust is because the root for discovering new directors and cultivating the leaders of future cinema lies there. -From the Preface

This book introduces five new directors who have made works realizing the meaning of an independent film environment that has become diversified amid the struggles of the Korean film industry as it has attempted to progress toward a high degree of industrialization since the 2000s. NOH Dong-seok, KIM Dong-hyun, MIN Boung-hun, KIM Tai-sik, and CHO Chang-ho are noteworthy newcomers whose works, each made in different environments, show plenty of potential. These directors have very different backgrounds and personal histories, and bring about meaningful meetings with the audience armed with their own unique visions. [...] The value of independent films does not lie solely in the aspects of system and market. The foremost reason independent film must stay robust is because the root for discovering new directors and cultivating the leaders of future cinema lies there. -From the Preface

LIM is a director who signaled the emergence of a new kind of sensibility in Korean film. Through her debut film Three Friends, she brought the issue of

Kang Woo-suk has consistently performed the background role of a man of power in Korean film for the last ten years. He has made only 16 films since his debut as a director in 1988, but for the more than ten years since 1997 he has been in charge of investment, planning or production for no fewer than 120 films. In spite of this, Kang’s name remains an unfamiliar one to the overseas film world. But his films have succeeded in capturing the rapidly changing Korean social and political situation of the last 20 years in a distinctive style; to be specific, a style of popular speech through satire and humor. Looking at Kang’s films in sequence, one can grasp the twists and turns of the history of Korean capitalism. This book is a record of Kang’s cinematic career over the past 20 years, and at the same time a document that demonstrates how Korean cinema possesses a fountain of diverse films and how considerable the potential commercial film is.