The stories that IM Sang-soo tries to tell deal with the lives of modern Koreans. He feels that the responsibility placed upon him as a storyteller is the history of "here and now" untold by older Korean directors of the same period. IM is practically the only director now making films that take a long look at the lives of contemporary Koreans without losing their historical sense. The major interest of this book is in examining the way in which his films observe the lives of modern Koreans. He does not view experimentation in style and form as important, but he realized early on that the stories he sought to tell often demanded unconventional form, and he has worked on polishing the formal beauty within his films to a dazzling degree.

Description If one looks back upon history, Korean cinema has always repeatedly passed through fixed cycles of booms and crisis. Now, as we go through the aftermath of compacted modernization, just as was the case with Korean society, indications of fissure and decline are slowly appearing within the industry. But just has been the case over all of these years when it has broken through crisis, Korean cinema is in any event supplied with a driving force through the appearance of new talents, and will be able to transform itself once again. This book is an attempt to shed new light on some new faces of Korean film as we look back on the period leading up to the mid-2000s by highlighting the attempts of some young directors who have not yet accumulated long filmographies, but have achieved considerable results.

Film Studies. Asian Studies. This book is the result of efforts to reach a deeper and broader understanding of the director Bong Joon-ho, who has been the subject of a great deal of popular interest and attention in Korean society in spite of his relatively short filmography of three feature films. After the experience of Barking Dogs Never Bite, it appears that the director clearly came to understand what he had to do to relate the story he wanted to tell in the way most suited to the public, yet most in line with his own cinephile impulses. Memories of Murder and The Host were both major box office successes in Korean film, but at the same time, they were films that looked upon the wounds and failures of modern Korean history in the most perceptive and challenging ways. As a result, Bong Joon-ho became almost unique in present-day Korean film in his ability to break away from commercial and creative pressures and realize the kind of films he wants to, when he wants to.

Кітапшаға ақынның 30-дан аса әндерге жазған өлеңдері еніп отыр, ән-өлеңдерінің негізгі арқауы - тарихи тұлғалар, Отан, туған жер тақырыптары

Книга Джузеппе Раглиони предназначена для тех, кто ищет более глубокого проникновения в тайны Ки и Айки. В ней приведены методики обучения принципам Ки-Айкидо, главный из которых – объединение сознания и тела

В учебном пособии изложены общие сведения об основных архитектурных элементах и конструкциях зданий и сооружений

Айкидо - это "путь Мира", воинское искусство, направленное на гармонизацию тела и духа с естественными силами Вселенной. В "Секретах Айкидо" Джон Стивенс исследует скрытые учения и более глубокие аспекты Айкидо, особенно духовную мудрость Айкидо, в той форме, в которой ей учил Основатель, Морихэй Уэсиба

This collection of 17 of his essays marks a watershed in the development of architectural thinking over the past three decades, comprising a virtual "theory of Modernism" in architecture. In his earliest essays, Colquhoun concentrated on themes that for him comprised the modernist attitude in architecture - language, typology, and the structure of form. His stance since then has consistently been to try to relate these issues to current practice and to analyze the nature of architectural expression in relation to culture

Hongik University Graduate School of Art and the East.

В книге рассказывается о развитии народного художественного промысла в Казахской ССР